Wyndham Printmaking Paper Sample Packs

Wanted to try different styles of printmaking paper without committing to an entire large sheet or pad?

We've put together two sample packs of 5 Sheets (7.5" x 11") of printmaking papers for you to play and explore!

Intaglio & Lithography Printing Pack: 

1. 1. BFK Rives (Cream) – 100% cotton, 280gsm, lightly sized, smooth surface, PH neutral. Excellent for intaglio, lithography, silkscreen & letterpress.
   2. Hahnemuhle mould made paper (Natural) – 100% alpha cellulose, 300gsm, acid free, flexible, long grain. Can be used for traditional printmaking processes, and digital methods such as resin, UV and latex printing.
   3. Fabriano Tiepolo (White) – 100% cotton, 290gsm, pH neutral, internally sized, smooth surface suitable for all printmaking methods including engraving, lithography, block printing & silkscreening.
   4. Rosaspina (Buff) – 60% cotton, 285gsm, ph neutral, suitable for all printmaking methods including engraving, lithography, block printing & silkscreening.
   5. Somerset satin (White) – 100% cotton, 300gsm, ph neutral, gentle surface texture, works for for all printmaking processes but excellent for letterpress, embossing & engraving.

Lino & Woodblock Printing Pack:

1. 1. Kozuke  - 44g – 30% kozo (mulberry) and 70% lignin-free wood pulp, sized, a strong & lightweight paper excellent for block printing techniques.
   2. Lokta Colour  – 60gsm Handmade in Nepal from the inner bark of the daphne bush, fine texture, strong, durable & acid free.
   3. Stonehenge  – 100% cotton, 250gsm, vellum surface, very versatile, excellent for multi-colour block prints and silkscreens, acid free.
   4. Usu Kuchi Heavy (White) – 100% Thai Kozo (mulberry), 31g, has a cloth-like texture, absorbent and highly translucent. Ideal for block printing as well as dyeing.
   5. Dai Chiri (Grey) – 60% Kozo 40% sulphite, 55g, Chiri translates to ‘leftover’ & refers to the inclusions of kozo bark in the paper, moderately sized, and excellent for reliefs printmaking techniques.